it on the back of a Taschen book on Matisse, because up to that point, I thought Picasso
was the greatest painter and didn't know much about Matisse. But after Picasso led me to
Matisse, I understood, and am now entranced with both of them. And with Giacometti,
Toulouse Lautrec, Monet, Van Gogh, Vermeer, and so many more.
The same thing happened with music. A few years ago, while working on Paulette, who was to be a dancing doll for my niece on her eighth birthday, I heard the "Suite Parisienne" by Jacques Offenbach from his comic opera, "Orpheus in the Underworld." It was the "Can-Can!" It made me jump up and dance around the room with Paulette!
I told my sewing partner, Yvette, another Los Angeles area doll maker, about it. Together, we googled Offenbach and saw the dancers in their bloomers and petticoats and fancy dresses. We decided we would make a chorus line of "Can-Can" dolls. That
didn't quite happen, but we've both made lots of dolls since. Yvette shared some of her vintage taffeta with me and I shared the huge purple petticoat from the 1950's that I found at a thrift store with her. (To learn more about Yvette, visit her etsy shop AllAboutEvette)
exotic names like "magenta, " "heliotrope" and "vermillion," and my only job is fill a giant sheet of art paper with anything I want. Maybe you have something in your life that makes you feel that way.
My next blog post will cover seam rippers and Strauss.
See you next week!